Animal Influences in Paleolithic, Egyptian and Greek Art Essay

Animal Influences in Paleolithic, Egyptian and classic Art at that place are numerous ways in which animals have resonated within the forgiving mind. Throughout history there have been representations rangingfrom the realistic, to myths, legends, symbols, and even horrific homicidalbeasts at the same time providing fascinating perspectives of our ownhumanity. Various forms of artistic creation have conveyed ideas and concepts ofanimals intelligence, as well as behavior, from multiplication to generation.Animal art is used as a tool to consume the connection between differentcultures at different time periods and it relates historic and symbolicmeanings. In most cultures animals have been linked with the supernaturalforces which were believed to envision the natural world and the destiny ofhumans. They were often revered as the agents. or associates, of gods,and goddesses, and were even the focus of worship as deities. Followingthe tracks of historical animal art, through the h uman imaginationintroduces a trail of creativity and best beauty.Paleolithic artCave paintings are the earliest known character of human art dating40,000 to 8,000 BCE. The paintings mainly feature various animalsrunning, sleeping, and eating. whatever also contain a few humans,geometrical shapes, and even progress to prints. The artist used permanentfeatures like ceilings, floors, and walls of rock shelters and caves as theircanvas. Pigments of black, yellow, red, and brown were utilized to displaythe observations of animals. The painters gathered a great deal of development about finding food, and which foods were safe to eat or tohunt, by almost observing animals. The valuable information was passed toothers through the detailes in the... ...Avery, Catherine B. The New coke Classical Handbook. New York, 1962Beckett, Sister Wendy. The Story of Painting. New York, 1994Boardman, John, Greek Art. London, 1964Durant, Will. Our eastern Heritage. New York, 1935Fleming, William. A rts & Ideas. New York Gombrich, E. H. The Story of Art. London, 1967Hall, James. Dictionary of Subjects & Symbolism in Art. New York, 1974Kirk, G. S. The Nature of Greek Myths. New York, 1975Janson, H. W. History of Art. New York, 1969Leroi-Gourhan, Andre. Treasures of prehistoric Art. New York MacClintock, Dorcas. Animals Observed. New York, 1993Metropolitan Museum of Art. Treasures of Tutankhamun. New York, 1976Richter, Gisela M. A. A Handbook of Greek Art. New York, 1987Scranton, Robert L. Aesthetic Aspects of Ancient Art. Chicago, 1964Stockstad, Marilyn. Art History. New York, 1995